Despite the past year being a difficult time for me in terms of finding a stable job, I’m pleased with how much I’ve achieved creatively.
The thing I’m happiest about creatively are the music streams across my Replay in Neon, Ice Line Drift, and Midnight Detective Club music projects. I released my first music tracks on Spotify, iTunes, etc back in Autumn 2019, and it was a nice Christmas present to hit 100,000 plays on Christmas Day 2020. Both The Midnight Detective Club and Ice Line Drift had almost 49,000 plays each, and Replay in Neon had 2,500. It’s something I never expected would happen, and after 30+ years of music making it was a huge surprise. I am grateful to everyone who listened to, enjoyed, shared and helped promote my music.
This year I published 5 new games / interactive digital stories:
- A Little Lost Moomin (3D Bitsy puzzle fan-game)
- The Narrows (interactive visual tale)
- Post-Toxic Aquanator (3D arcade game)
- They’re Coming (3D Bitsy puzzle)
- Bargaining With Supreme Beings (Bitsy puzzle maze game).
The Midnight Detective Club Project
As I mentioned earlier, I’m very happy with how the music for The Midnight Detective Club project is going, especially working with singer Ellen Louise. I released 5 tracks on streaming services this year, with a few more in the pipeline. In terms of the game itself, I’ve released small chunks that aim to either build a part of the narrative (The Narrows, the songs, virtual exhibition), and am working on other parts (card game, interactive comic, matching game). My current focus is on creating the supernatural detective mystery game within a website that includes interlinked narrative in various forms, including interviews, games, comic, music, videos, Instagram. I’m enjoying working on different pieces of this project and expanding the story world of the band with each new piece created.
NOT ON MY OWN
It hasn’t only been solo projects this year. I’ve had fun working with others, or contributing to projects that I wasn’t lead on. For example, I got session singer, Ellen Louise, involved in The Midnight Detective Club project. I know I’ve said it before, but I am really happy that I found someone with a vocal style that works so well with the music, and I love the lyrics and melody she came up with for Where’s the Magic Gone? I also commissioned Jupiter Doomsday to create some fun retro style characters for part of The MDC project. I’m really pleased with how they turned out, and all they need now is the right setting for them in the game.
Thanks to Anne Welsh, I also became an Associate for Beginning Cataloguing, and ran my first online workshop focused on creating a game for library classification, and I’m planning more in the future. I also co-ran a Bitsy workshop for The British Library. I mentored for Pocket Code’s Google Summer of Code project, and enjoyed seeing my mentee’s project coming together into such a fun showcase game. I contributed to Creswell Crag’s online Midwinter Festival of Folklore, with a piece about winter folklore in my digital story, Midwinter Spirits and other games. And I also became a student on Create Place, which is a creative leadership program focused on place-making, and I’m looking forward to finalising my collaborative project for this in 2021.
I know 2020 has been a difficult year all round, but my creative interests have been the mental leveller I personally needed. The pandemic itself helped me to focus on my creative projects. I had game and music making opportunities that kept me going and made me happy whilst dealing with the uncertainty of not having a job. And that creative focus also made me wonder why I’d not taken advantage of some of those creative opportunities before.
Even though a lot of my creative projects were solo efforts, without the support from others I’m not sure how much I would have achieved. This includes those who listened to and shared my music; encouraged me from the side-lines; played and/or gave feedback on my games etc; helped me solve techy game-making problems; and just tolerated what might have seemed like a blitz of endless self-focused creative tweets and Facebook updates. I appreciate it. That support is important to me. Thank you everyone who helped me have a positive creative year.